Imposing modern notions on traditional forms, a case study. A live show in Kirkos, also to be live-streamed for consideration for those who might find it difficult to attend.
**Imposing modern notions on traditional forms, a case study.
A live show in Kirkos, also to be live-streamed for consideration for those who might find it difficult to attend.**
An evening of experimentation and tradition, with Ian Nyquist, melding Bodhrán with modern electronics, Dublin based Mongolian/Irish trio NØMADS, who utilise Moron Khuur, throat singing and synthesisers, and Cork based composer and improviser Jonathan Deasy, who wrangles long form compositions concerning overtones from feedback drenched guitars.
Ian Nyquist is a musician and sound artist whose most recent work centres on the re-contextualising of traditional material. His most recent project, Gilded, captures an ongoing exploration of live, software-altered bodhrán playing. Through electronics and digital processing, Ian transforms a familiar instrument into something entirely new.
NØMADS Bio
A Dublin-based group with Morin Khurr players Hansel Sergelenbaartar and Bataa Jambaldorj, from Mongolia, and Irish musician, Adhamh Ó Caoimh. The three piece utilise dense synthesiser and modern electronic techniques seamed through with the tones and timbres of Horse Head Fiddle and traditional Mongolian throat singing.
Jonathan Deasy Bio
https://docs.google.com/document/d/1L9jcllDetK9m6Elytauzp8Atkbj7s0LeqDEDNLPYumg/edit?usp=drivesdk
An event by Kirkos



