BIG|BRAVE’s music has been described as massive minimalism. With bursts and blends of textural distortion and feedback, their music’s frayed edges and heavy centre is heard throughout.
BIG|BRAVE’s music has been described as massive minimalism. With bursts and blends of textural distortion and feedback, their music’s frayed edges and heavy centre is heard throughout. The potency of the band’s work is their singular artistry combining elements of traditional folk techniques and a modern deconstruction of guitar music. Gain, feedback, and amplitude are essential to 2024's A Chaos Of Flowers, an album that builds on their ferocious 2023 album nature morte.
Robin Wattie and Mathieu Ball started writing subtle ambient/minimalistic folk songs together in 2012, with no other goal than simply experimenting with the instruments in their possession. When long-time friend Louis Alexandre Beauregard joined on drums, the goal remained to play as tranquil as possible. After an incident where Wattie’s acoustic guitar broke, and having borrowed a friend’s electric as a replacement, larger amps that Ball had in storage from previous bands started to get incorporated to the outfit. Now with amplitude as a compositional tool, Big Brave never lost interest in the power of minimalism and fragility. It became clear that loud volume would become just as effective as the lowest possible ones and the juxtaposition of both would become something the band draws upon.
We can’t wait to welcome the sonic-tonic that is BIG|BRAVE to Belfast this November. Unmissable.